Fine Art Photography & Digital Image Manipulation
‘Viveca’s Garden’
The aim of this course
is to gain a clearer understanding of working with Photoshop layers, layer masks and blending modes, and to introduce you to working with textures as separate layers on top of your photographs, in order to create enhanced and creative images. Viveca will be going into detail about the sort of processing techniques that she has used on her own photographs, as described in the talks that she presents.
By the end of the course
you should feel confident about working with multiple-layered photographs in Photoshop, specifically adjustment layers and layer masks, and understand how blending modes affect your images. You will learn how to create your own brushes, and how to use these to make further textures and borders to use on your images. You will also learn the technique of ‘cloning’ or multiplicity, where many versions of the same person appear in one photograph. You will be given an illustrated workbook into which you can make your own notes, to serve as an aide memoir of the day.
Course outline
The emphasis of the course is very much on practising techniques as they are being discussed, working steadily through one element at a time and gradually building on knowledge learned. The pace is relaxed with plenty of opportunities to try out new techniques.
Who the course is suitable for
If you have ever wondered about how to use layers effectively in Photoshop, but so far found it a bit of a mystery, then this course is for you! A basic working knowledge of Photoshop is recommended, although extensive knowledge is absolutely not required.
Who the course is not suitable for
If you have already successfully worked with layers and blending modes, this is not the course for you.
Your participation
You are encouraged to bring along some of your own photographs onto which you would like to try applying textures, and also any textures you may already have, but Viveca will have both to hand for you to use in case you are unable to bring your own. There will be an opportunity to spend a short time photographing textures following the presentation, dependent on the weather and the venue.
Please bring
Testimonials
“A thoroughly enjoyable day and one I would recommend to anyone starting out in Photoshop, or to those who want to understand the principle of layers etc in order to express themselves with their own artistic style.” – Neil
“Top class presentation, clear and easy to follow!!” – Robbo
“Excellent – great interaction and proactivity – being able to directly participate and follow the workshop on my laptop really enhanced the experience” – Lisa
“Super day. Really informative and enjoyed the practicality of the day. Thoroughly recommend.” – Adrian
“Thank you for your assistance and patience. A most informative day, have learned a great deal.” – Andrew
“Thanks for all the hints and tips today, you were patience personified!” – Donald
“All work covered very inspirational – now keen to try out new creative ideas.” – Katherine
“Great day, learnt a lot and it was all very useful and enjoyable.” – Denise
“Great fun and instructive. I feel more confident with layers now.” – Alison
“It was a very informative session. Taken at a speed I could cope and keep up with. Really enjoyable.” – Donna
“Learnt a lot. Found it a very useful session.” – Peter
“An excellent day. I got a great deal out of it and it was really enjoyable.” – Eleanor
“The mysteries of layer masks explained in a relaxed workshop. Gone away now to practice at home. Well worth the day.” – Ian
“An informative and fascinating day, learnt a great deal – thank you.” – Sue
“Excellent course. Fear of layers now gone!” – Arthur
“Clear, concise and inspiring, and also good fun.” – Richard
“An excellent introduction to an exciting, interesting, creative area of photography.” – Stewart
“Very comprehensive one day course on principles of adding textures and using layers. Use of local area added extra interest and interactivity.” – Joyce
“Lots of great new techniques, will be using them in future.” – Tony
“Excellent – really enjoyed it now need to put it into practice. Good handout.” – Jenny
“Very enjoyable, aimed at all levels of ability. Viveca is very patient. Learnt a great deal. Great fun.” – Barbara
“Very interesting and enjoyable. I learnt new techniques and it was a pleasant way to spend the day.” – Linda
“Viveca is very engaging and clear in her explanations. The technical notes are excellent and will certainly help to reinforce the learning. The best part is simply broadening one’s ideas: lots of things I want to try! Over the last couple of months I have gone from being a Photoshop cynic to one who now actually appreciates how it will help me with my photography.” – Tony
“I found the hands-on nature of the day to be a very helpful way of learning. Having found Photoshop very frustrating in the past, I now have a much better understanding of it, and find my way around it with much greater ease. So, thanks very much to Viveca for an enjoyable and informative day.” – Veryan
“Photoshop is a very important part of photography, and it is where my future style lies. You answered some questions that I had about Photoshop and I am now using it more extensively and confidently.” – Steve
“Excellent, really enjoyed the session, opened my eyes to some new opportunities with creative photography using textures and some really useful Photoshop hints and tips. Looking forward to trying some of the grunge brush techniques. Thank you.” – Chris
Further information
Viveca will supply a printed and bound workbook for every participant, copyright-free photographs and textures and name badges. You are asked to supply a suitable venue with a digital projector and screen (the room will need to be darkened for the presentation), tables and chairs for up to ten participants and Viveca, adequate power supply for all and tea/coffee making facilities. There is no minimum number of participants but a maximum of ten, as Viveca likes to ensure that she is able to give one-to-one assistance wherever needed. The suggested hours are 10am – 4.30/5pm with one hour for lunch. A workshop can take place on any day of the week including weekends.
Cost
£500 for the day plus Viveca’s mileage (45p per mile) to and from your venue. If this is more than 60 miles from Addlestone, Surrey an overnight stay before the workshop is requested.
To book
Please contact Viveca on viveca.koh@gmail.com or 07956 517 524
FAQs
Q: How much will the day cost me as an individual?
A: This will depend on the exact number of workshop participants. Ten is recommended as a maximum which would equal £50 each, plus Viveca’s mileage (at 45p per mile from Addlestone, Surrey) to and from your venue plus any overheads for venue hire, divided equally amongst delegates. If there are less than 10 participants the cost to the individual will increase slightly.
Q: I have never worked with Photoshop or Elements before, is this a suitable workshop for me?
A: No, you do need to have used the software before. The ability to create new documents, select tools, use menus and generally move around the programme is assumed.
Q: I’m a beginner in Photoshop/Elements, will I be able to keep up?
A: Yes, the pace is relaxed and there is plenty of time to try out each section of the course as it arises. Viveca gives 1:1 help wherever it is needed and positively encourages questions, which usually benefit the entire group.
Q: I don’t have Photoshop or Elements but I do have Affinity Photo – can I still participate in the workshop using this software?
A: Unfortunately not, Affinity just works too differently from Photoshop and Elements for this to be a viable option. This applies to any other image-editing software for the same reason.
Q: I’ve already worked with layers and blend modes in Photoshop/Elements, and it turned out well. Will I learn something new on this course?
A: Probably not. This course is aimed at people who have not yet experimented with layers and blending modes, or those who have tried before but got stuck and need some extra assistance.
Q: I don’t have a laptop, can I still participate in the course?
A: Yes, previous delegates have brought along desktop computers – if you can get it to the venue, you’re good to go! It is however strongly recommended that you bring a mouse/graphic tablet rather than relying on the touchpad of your laptop, as this will be much easier to work with especially when making selections.
Q: I use Elements, will I still be able to do everything covered on the workshop?
A: *You will, but some of the steps will be different, and what is printed in the workbook is based on Photoshop. It might be worth considering a subscription to Adobe Creative Cloud for under £10 a month, which provides the full version of Photoshop that is constantly updated.
Q: What do I need to bring with me?
A: Please see the list above on the second page.
Q: Will I need to write lots of notes?
A: Hopefully not. The supplied illustrated workbook covers all the techniques in detail, and it is yours to keep after the workshop. The emphasis will be on experimenting with the techniques during the day, not writing about them, but there is space to add some of your own notes in the workbook should you want to.
Q: What sort of camera do I need for the practical work?
A: A digital camera (not film) – a DSLR or a bridge are best – as long as it attaches to a tripod and contains a memory card from which you can copy images directly to your laptop/computer during the workshop. The ability to use Manual, Aperture or Shutter Priority and to lock focus and exposure will be helpful during the multiplicity part of the workshop.
Q: Do I have to bring any of my own photographs?
A: If you have some photos to which you’d like to try adding textures then please do bring them on your computer. However there will be a few stock photos available for this purpose.
Q: Do I need to bring any texture photographs?
A: Again if you have these and would like to try using your own feel free. If you don’t, there will be an opportunity during the workshop to shoot some textures, and Viveca will have copyright-free textures for your use as well.
Q: Do I really need to bring a tripod, why can’t I handhold the camera during the practical work?
A: The multiplicity part of the workshop requires a number of photographs to be taken from a single, un-moving viewpoint, so a tripod is the easiest way of ensuring no camera movement during this process.
Q: I don’t have a tripod though – help!
A: You may be able to borrow someone else’s, there will be plenty of time for the taking of photos during this part of the workshop.
Any other questions? Please contact Viveca who will be happy to help.
Current and Previous Bookings:
27th July 2014 – Great Notley Photography Club
23rd April 2015 – Great Notley Photography Club
8th October 2016 – Horsham Photographic Society
13th November 2016 – Bracknell Camera Club
11th February 2017 – Steyning Camera Club
9th April 2017 – Yately Camera Club
3rd June 2017 – Ampthill & District Camera Club
28th October 2017 – Chalfonts and Gerrards Cross Camera Club
4th March 2018 – Horndean Camera Club
8th April 2018 – Beacon Camera Club
11th May 2019 – Field End Photographic Society
25th May 2019 – Maidenhead Camera Club
22nd November 2019 – Storrington Camera Club
